Oleg Borisovich Kulik (Russian: Оле́г Бори́сович Кули́к; born 1961 in Kiev) is a Ukrainian-born Russian performance artist, sculptor, photographer and curator. He is best known for his controversial artistic performances in which he acted like a dog.
Life and art
For his performances, Kulik creates a symbolic set of parameters to define the environment which he will inhabit in the persona of a dog, and then devises a series of actions that unfold as a response. The artist describes the dialogue within his practice as "a conscious falling out of the human horizon" which places him on hands and knees. His intention is to describe what he sees as a crisis of contemporary culture, a result of an overly refined cultural language which creates barriers between individuals. Thus, he simplifies his performance language to half of the basic emotional vocabulary of a domestic animal.
In 2007 "Oleg Kulik: Chronicle 1987–2007, a retrospective of Kulik's work, was exhibited at the Central House of Artists, Moscow. It was also exhibited at Rencontres d'Arles festival, France in 2004.
As curator of the Regina Gallery, Kulik became known for his unorthodox approaches such as putting paintings on wheels and hiring people to carry the artworks.
Kulik considers his best curatorial endeavor to be "Leopards Bursting into a Temple" by Anatoly Osmolovsky in 1992. In this exhibit, two naked people were put into a cell with live leopards walking around them. He had said that he thought the exhibition was a "metaphor for everything new and lively that appears in our life".
In 2009, Kulik curated the "Kandinsky Prize in London" at the Louise Blouin Foundation.
At the Interpol group exhibition in Stockholm in 1996, he performed in the gallery chained next to a sign reading "dangerous". An international scandal occurred when he not only attacked members of the public who chose to ignore the sign, in one case biting a man, but also attacked other artworks within the exhibition, partially destroying some pieces made by other artists.
Kulik thought this was an excusable act, as there was a warning label attached to his performance which people chose to disregard, reasoning that his intention was to divulge his angst at the current cultural crisis through the violent anger of a dog.
Susan Silas letter
In 1997 artist Susan Silas wrote "A Love Letter to Oleg Kulik, A Prince among Men, a Man among Dogs". She describes visiting Kulik during his performance of "I Bite America and America Bites Me", in which Kulik references Joseph Beuys with an updated reference to the current cultural setting of America. Again, Kulik performed as a dog, this time in a specially built cage, which the spectator would enter wearing protective garb.
- Oleg Kulik on gif.ru
- Kulik, Oleg on tvgallery.ru
- "История — Центральный дом художника (ЦДХ)". cha.moscow. Central House of Artists. Retrieved 24 November 2020.
- Valentin Diaconov, "Oleg Kulik", Modern Painters, November 2009.
- Boucher, Brian (9 November 2017). "'The Art World Is Hard to Satirize': Ruben Östlund on Sending Up Curators in His Award-Winning Film 'The Square'". Artnet. Retrieved 10 November 2017. CS1 maint: discouraged parameter (link)
- Susan Silas, "a love letter to oleg kulik", Artnet Magazine, 1 May 1997.