Ardenne, Paul, Face to Face: The Art ofPortrait Photography (Paris: Flammarion, 2004)

Bell, Julian, 500 Self-Portraits (London: Phaidon, 2000)

Billeter, Erika, Self-Portrait in the Age ofPhotography: Photographers Reflecting their own Image (Lausanne: Musee Cantonal des Beaux-Arts, 1985)

Blessing, Jennifer, Rrose is a Rrose is a Rrose: Gender Performance in Photography (New York: Guggenheim Museum, 1997)

Bloemheuvel, Marente (ed.J, ID: Anlntemational Survey ofthe Notion ofIdentity in Contemporary Art (Eindhoven: Stedelijk Van Abbe-Museum, 1996)

Borzello, Frances, Seeing Ourselves: Women’s Serf-Portraits (London: Harry N. Abrams, 1998)

Bright, Susan. Auto Focus: The Self-portrait in Contemporary Photography. New York: Monacelli, 2010. Print

Brilliant, Richard, Portraiture (Cambridge, MA: Harvard University Press, 1991)

Brousset, Michel, Francois Combal and Alice Piton, Le Photographe photographie 1’autoportrait en France 1850-1914 (Paris: Maison Europeenne de la Photographie, 2004)

Clark, Graham (ed.), The Portrait in Photography (Washington and London: Reaktion, 1992)

Cumming, Laura, A Face to the World: On Self-Portraits (New York: HarperPress, 2009)

Doy, Gen, Picturing the Self: Changing Views of the Subject in Visual Culture (London: IB Tauris, 2004)

Durden, Mark and Craig Richardson (eds), Face On: Photography as Social Exchange (London: Black Dog, 2000)

Ewing, William A., Face: The New Photographic Portrait (London: Thames & Hudson, 2006)
Faber, Monika and Janos Frecot (eds), Portraits of an Age 1900- 1938 (Ostfildern: Hatje Cantz, 2005)

Freeland, Cynthia A. Portraits and Persons: A Philosophical Inquiry. Oxford: Oxford UP, 2010

Hall, Stuart, Representation: Cultural Representations and Signifying Practices (Milton Keynes: Open University, 1997)

Hochleitner, Martin, Gabriele Spindler (eds), Face to Face – Portraits in Contemporary Photography (Salzburg: Fotohof, 2002)

Irmas, Deborah and Robert Sobieszek, The Camera I: Photographic SelfPortraits from the Audexy and Syndey Irmas Collection (Los Angeles and New York: Los Angeles County Museum of Art and Harry N. Abrams, 1994)

Jobey, Liz (ed.)JohnKoba( PhotographicAwardTenYears:A Celebration 1993-2002 {London: National Portrait Gallery, 2002)

Jones, Amelia, Self/Image: Technology, Representation and the Contemporary Subject (London and New York: Routledge, 2006)

Kent, Rachel, Masquerade: Representation and the Self in Contemporary Art (Sydney: Museum of Contemporary Art, 2006)

Kohler, Michael, Constructed Realities: The Art of Staged Photography (Zurich: Edition Stemmle, 1995)

Kozloff, Max, The Theatre ofthe Face: Portrait Photography Since 1900 (London: Phaidon, 2007)

Langford, Martha, Suspended Conversations: The Afterlife of Memory in Photographic Albums (Quebec: McGill-Queen’s University Press, 2001)

Lingwood, James, Staging the Self: Self-Portrait Photography 1840S-1980S (London: National Portrait Gallery, 1986)

Nairne, Sandy and Sarah Howgate, The Portrait Now (London: National Portrait Gallery, 2006)
Phillips, Tom, We Are the People: Postcards from the Collection ofTom Philips (London: National Portrait Gallery, 2004)

Powell, Richard ]., Cutting A Figure – Fashioning Black Portraiture (Chicago: University of Chicago Press, 2008)

Pultz, John, Photography and the Body (London: Weidenfeld & Nicholson, 1995)
Rebel, Ernst, Self-Portraits (Cologne: Taschen, 2008)

Rideal, Liz, Insights: Self-Portraits (London: National Portrait Gallery, 2005)
Rugg, Linda Haverty, Picturing Ourselves: Photography and Autobiography (Chicago: University of Chicago Press, 1997)

Seigel, Jerrold E. The Idea of the Self: Thought and Experience in Western Europe since the Seventeenth Century. New York: Cambridge UP, 2005

Sobieszek, Robert, Ghost in the Shell: Photography and the Human Soul 1850-2000 (Los Angeles: Los Angeles County Museum of Art and MIT Press, 1999)

Sobieszek, Robert A., and Deborah Irmas. The Camera I: Photographic Self-portraits from the Audrey and Sydney Irmas Collection. Los Angeles: Los Angeles County Museum of Art, 1994. Print

Townsend, Chris and Channel Four (UK), Vile Bodies: Photography and the Crisis ofLooking (Munich and New York: Prestel in association with Channel Four Television Corp., 1998)

West, Shearer, Portraiture (Oxford: Oxford University Press, 2004)

Photography as Art with References to Self-Portraiture
Cotton, Charlotte. The Photograph as Contemporary Art. NY, NY: Thames & Hudson, 2014. Print.

Theory, Philosophy, Psychology that speaks Identity and “THE” Process
Bakhtin, Mikhail. Problems of Dostoevsky’s Poetics. Minneapolis: U of Minnesota, 1999

Bayles, David, and Ted Orland. Art & Fear: Observations on the Perils (and Rewards) of Artmaking. Eugene: Image Continuum, 2001

Brown, Brené. The Gifts of Imperfection: Let Go of Who You Think You’re Supposed to Be and Embrace Who You Are. Center City: Hazelden, 2010. Print.

Books with Photographer self-portraits
Coplans, John, and Jean-François Chevrier. A Self-portrait: John Coplans, 1984-1997. Long Island City, NY: P.S. 1 Contemporary Art Center, 1997

Townsend, Chris, Francesca Woodman, and George Woodman. Francesca Woodman. London: Phaidon, 2010. Print.